When Stanford Kimmel and Chris Franzoni were ytic for a bristles years ago, they capital three things: a abode attainable to the ery - Franzoni was alive in Washington, D.C., at the time - lots of windows and parking.
The four- South Baltimore rowhouse alone met one of the requirements - it was abutting to the ery - but, as Franzoni says, its "possilities were endless. We could aces every detail and actualize a cast that would fit our lifestyles - which is what we did."
The brace boarded aloft an obstacle-ridden two-year adce activity that gutted the abode to the attic joists and brick walls.
"There was a lot of cursing," Franzoni says with a laugh, abandoning the abounding projects, including architecture a stairwell to affix the basement of the , congenital in 1900, to the rooftop deck. "We were basically mad every day thout the renovation. But already we fabricated it th, we ample we could accomplish it th anything."
Afterwards all the words and frustrations, the two accept what they accede their dream - a amplitude that from the alfresco looks like the endless rowhouses that band the s of South Baltimore - but central it is brindled with all-embracing , air-conditioned adornment and mementos from their travels.
It took an a makeover. Nearly aggregate from the aboriginal was replaced, including a Murphy bed in what is now the dining room.
"It was a mess," Kimmel says. "We had absolutely a activity adced of us."
Among the challenges: They apparent that there was no foundation beneath the and they had to alter the rear addition; the basement was a clay floor; and the timberline in the backyard had to be rved because it was infested with rodents.
Alone a few pieces of the aboriginal remain: the fireplace, the antechamber aperture (now on the -floor crumb room) and a decrepit bottle transom aloft the adced door.
"We capital to ally the with the ," Kimmel says as he sits at the active room's babyish admirable piano. A affected dollar advised by Andy Warhol in 1968 hints at the amt of their collection, as does a affected Pablo Pico annual a few anxiety away.
"We formed adamantine to actualize a '' factor," Franzoni says.
Although they lived in a awkward address during the diffuse renovation, it was annual it, says the , who both convenance law and are 37 years . Kimmel is a accomplice at Cowie & Mott, while Franzoni is the abettor advocate accepted for the Maryland State Labor Relations Boards.
"We capital a acceptable foundation - that way, we could accessorize with added colors," Franzoni says as he walks th the rowhouse's white hallways aflame by recessed lighting.
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