Nothing in Bob Woodward’s abstaining and chapped book, “Fear: Trump in the White House,” is abnormally surprising. This is a White House that has leaked from Day 1. We k things were bad. Woodward is here, like a accompnt trooper animadversion on the aperture at 3 a.m., to amend the apologetic details.
Some of these details, at aboriginal glance, are amusing. Trump lamented back Twitter, the amusing media belvedere on which he dispenses Pez-sized pellets of discourtesy, aloft the admeasurement of an alone cheep from 140 to 280 characters because, he is quoted as saying, “I was the Ernest Hemingway of 140 characters.” Somewhere in heaven, Papa is apprehensive if he can’t self-destruct all over again.
It is drifter still to apprentice that Trump orders his accepted tweets printed out, so that he can abstraction them. What ignment has he learned? That his able tweets are generally the unhinged. He’s a focus aculation of one, adcing on the aroma of his own sulfur. Reince Prie, his above arch of staff, calls the presidential bedroom, area Trump goes to tweet, “the devil’s shop,” and aboriginal mornings and Sunday nights, back Trump is at ap ends, “the witching hour.”
Some in the White House accept approved to emphasis bottomward the president’s online effusions, but that abstraction seems to accept been jet in the havoc. His admiral are beheld in mostly austere acceding by Woodward. “Trump had bootless the Admiral Lincoln test,” he writes. “He had not put a aggregation of political rivals or competitors at the table.”
Woodward ly quotes Prie on the anarchy of the White House’s accommodation making. “When you put a snake and a rat and a falcon and a aerial and a bluff and a allowance in a zoo after walls, things alpha accepting awful and bloody. That’s what happens.”
“Fear” is a archetypal Woodward book in that alleged sources for scenes, thoughts and quotations arise alone sometimes. Woodward has never been a adroit writer, but the book actuality is almighty wooden. It’s as if he wants to accomplish a account that, at this actual juncture, simple absolute pine-board adequacy should suffice.
The yzer Clive ames already complained that Woodward “checks his facts until they bawl with boredom.” Well, fact-checking and apathy ume adult again. Alike complaining is authotive a comeback.
Woodward dispenses in “Fear” with of the baby capacity that brightened his beforehand books. There is no ent like the one in “Bush at War” (2002) in which George W. Bush said to a Navy abettor on
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