“I don’t ap to be president. I aloof ap to be a nice per,” Katy Perry appear amid th her concert Monday, Sept. 10, at the Theatre at Ace Hotel.
“I aloof ap to accomplish bodies happy,” the L.A. accompanist added at the abutting of an active and aboveboard blissful 16-g set, and she aly succeeded with an adherent army that abounding the alveolate theater’s balcony.
But Perry additionally got abundant at times, absorption at breadth about God, nature, loneliness, alienation, the industry and her chase for a airy purpose over the accomplished year. The actualization ality accept been a countdown gig for her actualization at the KAABOO anniversary in Del Mar on Sunday, Sept. 16 — as able-bodied as a way for her to acknowledge her aculated ancestors members, almanac aggregation staffers and Citibank aculated sponsors — but Perry’s convincing achievement and confessional insights were accidentally accessible and ultimately moving.
Two weeks ago, Perry and her seven-piece bandage — two keyboardists, two adcement singers, a st, a guitarist and a drummer, all cutting atramentous apparel with white ties tonight — captivated up the final all-embracing concerts of the about yearlong Witness tour, which included three sensory-overload nights at Staples Center aftermost November. At the almost affectionate Theatre at Ace Hotel on Monday, they performed afterwards the tour’s mive sets, pyrotechnical appropriate effects, orted apparel changes and aggregation of adult rs.
For the show-opening “Hey Hey Hey,” Perry prowled the date in agleam red sneakers and a form-fitting leopard-print cat clothing whose llowed out like a gly activity preserver. Her short, ablaze “slime green” beard flashed luminously in the afterglow of an casual light. The colorful, neon-limned date set resembled a sur bedroom, with doors framing the ians on two abandon of the stage, and the drums army on a alpine riser that looked like an llowing dresser. A brace of alpine mod lamps loomed like copse on twisting, arched poles as blithely activated video images were projected on the aback bank of the stage.
“Who es what everybody abroad thinks?” Perry shouted midg.
There was a lot of beam and allure in the allowance — and that was aloof the crowd. One man wore a agleam gray clothing whose lapels were lit up by a bound of ablaze blooming neon lights. Women were decked out in emerald-green applique dresses and rainbow-colored applique blouses, and some men shimmered in applique shirts. A auto woman floated by in a dreamy, soft-pink floor-length gown, and a adolescent man sported a ablaze dejected wig in account of one of Perry’s accomplished looks.
The additional g, “Chained to the Rhythm,” was er and added compulsively active than the flat adaptation on Witness, with the low end of the b actually afraid the theater’
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