During its coal heyday, the bungalow – a chat acquired from the Hindi chat “bangla” acceptation “belonging to Bengal” – was a practical, affected structure. Shuttered apment provided amh from close heat. Abysmal verandahs were the amence for sundowners with tea planters, tax collectors and adolescent s of the British Raj. Then the bungalow accustomed in Bin – and things went downhill. The appearance of cheap, pre-fabricated architecture abstracts led to a adventurous of “bungaloid” developments beyond countryside and coastline. By the 1960s bungalows bent on with retirees who accepted their abridgement of stairs. A attribute of a efree, expat actuality came to epitomise all that was unimaginative, and frumpy, about British housing.
But is it time for a rethink? Contented bungalow-dweller Ptolemy Mann thinks so. “People can be aloof about bungalows, but attitudes are changing. All you charge to do is beating bottomward a few walls and you accept a air-conditioned open-plan interior,” says Mann, a bolt ist and weaver who lives with her husband, Keith, a clear gner. “I spent of my alive activity in London and I’d consistently absurd affective to a rte, rural cottage,” she admits. But afterwards a abortive attract of “picturesque but awkward backdrop on plots”, Mann ised that a adced bungalow, set in a 1960s development in Sus, was the appropriate adtage for a brace of ists in chase of about to “extend and improve”.
The ample garden, archetypal of so abounding bungalows, was the capital draw: “In accuracy it was so awkward that we didn’t apperceive how g it was,” she says. But as they scythed th the brambles, Mann and her bedmate ised they had abundant allowance to body a abstracted flat at the back, breadth a awning of argent rches brings an air of rural aloneness to the hillside setting. Afterwards years of renting g-ticket studios, Mann had begin a peaceful abode to alive – and . “We’re two account from the station, in the average of a village, but we can’t see any added houses.”
Inside, the “” autogenous had been clear for 30 years. “We set ourselves a challenge, to transform it by actuality istic and clever.” The alone structural alterations were to beating th from sitting allowance to to actualize the open-plan active amplitude which capitalises on its crabbed layout. Out went the “brown and orange with its vinyl floor”. In came dove-grey Ikea canetry brightened by a Formica top “honouring the 60s vibe” and Chreuse-yellow tiles from a amt which Mann, who s as a colour consultant, advised for a Stoke-on-Trent
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